The Durotaxis Chair is a fully 3D printed multi-material dual position rocking chair designed by Synthesis Design + Architecture and manufactured by Stratasys. The chair is inspired by the biological process of the same name, which refers to the migration of cells guided by gradients in substrate rigidity. The chair is an ovoid rocking chair which has two positions, as an upright rocker and a horizontal lounge, and is defined by a densely packed three-dimensional wire mesh that gradiates in size, scale, density, color, and rigidity. The chair capitalizes on the multi-material printing capablities of the Stratasys Objet 500 Connex3 to produce gradients of material performance. The varying gradient conditions are expressions of the combined formal, ergonomic, and structural properties of the chair.
This piece would not be possible at all without 3D printing. Not only in terms of the complexity and density of the three-dimensional mesh, which would be completely laborious in any other conventional manufacturing process , but especially in terms of the gradient distribution of material properties and performance which would be impossible without the Objet Connex3. 3D printing is having a profound effect on the design industry. At the moment, the focus is on rapid prototyping, but the shift towards rapid manufacturing is imminent. It has the potential to revolutionize the industry and induce a new industrial revolution that enables true file to factory processes. The key on the design side is not how we design for the technology, but rather how we design with it.
The intention is that the Digital Lab at the University of Manitoba become a Resource and Laboratory for the exploration of digitally driven design, prototyping and manufacturing. The desire is to foster a context through which students and faculty are better equipped to explore the potentials of digital design and manufacturing processes.
Join us this Fall for our Lunchtime Lectures and Thursday Evening Workshops!
FAUM Fablab Lectures and Workshops
Spiders, silkworms, and honeybees are already 3D printers—and bioengineering is rapidly making that more than just a poetic metaphor. These creatures are organic examples of depositional manufacturing, and they have been domesticated and used throughout human history for specific creative ends.
Johnathan Fernandez, Timothy Cooke, Skylar Tibbits, William O’Brien Jr, Joel Lamere, Nadar Tehrani, Meejin Yoon, Shiela Kennedy, Mark Goulthorpe
What is the future of creativity, manufacturing, and design? How is the Shapeways community and 3D printing enabling everyone to make their ideas real?
This film portrays how the Shapeways 3D printing community and marketplace is enabling everyone to be a creator. All you need is an idea and an Internet connection.
Shapeways* Made in the Future
The film from the lecture yesterday in 213 JAR.
3D printing explained with Bart Van der Schueren of Materialise